Friday, February 22, 2019
Character, theme and narrative in the soap opera Essay
From reflection whizz particular episode of the famous soap East breakers I was able-bodied to attain plenty of information and reference to certain aras of a soap. in that respect are specific codes and conventions to particular narratives that are easy to identify. Obviously in each soap, the same sort of things occur and the audience arsehole lie with this, thus such an appeal for soaps. In this single episode of Eastenders, the themes include are easily identifiable as being part of a soap. It includes all the drama in everyday life within one session of 30minutes. We are able to ascertain potential fights, arguing, loving and a typical goodie and baddie scenario. Also there is mention of wedding and divorce, patently showing mixed emotions. Furthermore, a noticeable possess of Eastenders is that there is a comic relief as there is a launch up of suspense and tension, then a scene change to Patrick who supplies the audience with moments of laughter, on with a small se lection of former(a) characters.Location is an immense feature to Eastenders. There are a number of places you anticipate to be have in each episode the Queen Vic pub being the virtually notorious. Also within one street (square) there is 6 places of wrick all featured in this one episode. The jobs all being inter-gender and featuring various types of characters who play different roles with a wide range of age gaps. Ie. Garage, launderette, caf, E20 floor show and a B & B. In this 30 minute slot, which in Eastenders era is one full day from early morning to late night, we are able to see the pub closed, quiet and busy. Also when the pub is featured, the density is only on a conversation involving just two people, although you can hear other characters in the atmos, they are not seen. This is where camera angles capture important.Over the shoulder shot is most commonly featured end-to-end when showing a clip of two characters talking. Also whilst in the midway of a conve rsation there is a sharp camera sell to a close -up view of the person speaking, which only last for a few seconds. These are things that the audience take for granted but hold plenty of thought and trials.There is only one point in the episode where one person is shown alone this being Peggy Mitchell who is talking to herself and allowing the viewers to empathise with her and share her emotions. She is a dominant family-heading female who is stressing her unhappiness to the viewers. This is when we see a wider range of camera angles used as the photographers want us to see her differently and also let us see the oscilloscope and context which is a clever tactic so we can take in where she is and what her method of thinking is. Also the cameras seem a similar surmount away from each character, and this means they never raise their voice and throughout the same volume of speech is enforced.A synopsis of what is actually incident in the episode is a number of storylines revolv ing around each other most of them having some sort of link or connection. The storylines are as follows * Phil Mitchell after his disturbed ex-wife Lisa and his baby* A triangle love postal service between Little Mo, comical Billy and Mr. Nasty Trevor.* Sonias consanguinity with both Gus and Jamie* Janines flirting and misleading this linking into events occurring in the bed and breakfast.* tom turkeys mental state of mind* Jim Brannan losing his job and Ricky in dire need of oneThere is also other small ones underdeveloped but these are the main pinpointed ones. The storylines are age specific, therefore aimed at a wide range of viewers.In addition to this as storylines build up and characters become uneased in the episode, there seems to be no atmos/background music to dramatise the situation, which is a convention often employed by soap-makers. No music at all is used throughout the episode, excluding the sly and easily remembered theme tune at the beginning of the soap. Also the mini-cliffhangers at the conclusion of the soap is followed by the distinctive tune.This soap, like most others has no graphics used or clear use of modern sophisticated technology. There is just a simple, straightforward map of the East end of London at the beginning with the River Thames flowing through. This being very catchy and appealing.On the whole it is obvious to see that one 30minute episode of a soap can include so much detail, information and thought.
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